Tag Archives: Rohini Sunderam

The Miracle

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Another poem from Rupali!

I looked up towards the sky

To where the great eagles fly.

The clouds were passing by

In shades of grey and white…

Read it on Rupali’s page!

Trap in a Steel Dawn

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Still grey. In the whisper-quiet of a steely dawn a man with a stubbly beard comes whistling ever so softly as he sets a trap.

The trap is vicious. Its teeth horrid. Its jaws gaping, but there is no bait. He places the trap on a partly sandy, partly grassy mound, not far from a semi-ruined house, then turns and vanishes into the soft grey mist.

Is it real or does his ghost chuckle quietly at the aspect of a tired young man leaning against the rubble-remains of a pillar? He is a strange young man. His clothes are of an indeterminate age. His hair is neither long nor short. He seems extremely exhausted.

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CHANDRIKA’S TRICK

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Long, long ago King Jagata, which means the world, lived happily with Queen Dharti Matá whose name means Mother Earth. Together they lived in a palace somewhere in northern India.

They were such happy people that every time they laughed the sunbeams danced. The courtiers and the servants smiled and sang to themselves as they went about their duties.

Way back then, the seasons were mild and they came and went, as they should. Everyone was happy. Everyone that is, except lonely Chandrika, the moon queen. She was fine for a few years living alone up in the dark night sky. And for a while she quite enjoyed being the Queen of the night.

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A review on The Flaneur

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This summer I had a lovely break in London. And in the few days that I was there I took in a show – my favourite play Shakespeare’s Macbeth performed a little differently at The Rose Theatre.

This was one of several diversions during the week and having written a review that’s appeared in that wonderful international art blog The Flaneur I thought I’d share it with readers who might visit FictionPals..

Do check out my review as well as the rest of the mag.

Look out for more, I hope to start really writing again.

The Pearl Divers’ Songs

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Their music was so strange and distant
From hymns they sang straight to the sea
Or praises raised to mighty Allah
Those lovely songs, that fidjeri

Above the waves of Bas Ya Bahr*
The Nahhaaam raised his melody
Along with him the clappers played
The jahlah or mirwas, plaintively.
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Panchatantra – The Jackal & The Drum

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Continuing the Panchatantra tales in verse…

(So king Ping-a-laka settled down to hear

Dama-nak-a’s story, all about fear

And an unknown fear, as we all know

Must be faced in order for it to go)

And this dear friends is the tale we’ll hear

About the jackal and the drum he feared

 

The Jackal and the Drum

A hungry jackal went in search of food

And came to a deserted battlefield

But loud strange sounds made him feel not so good

And he thought to run from the battlefield.

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Panchatantra – The Monkey & The Wedge

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This story told in rhyme is a continuation of the first book of the Panchatantra, which as we know, consists of five books – Mitra-bhed: The Loss of Friends; Mitra-lābha or Mitra-samprāpti: The Gaining of Friends; Kākolūkīyam: War and Peace; Labdhapraṇāśam: Loss Of Gains; Aparīkṣitakārakaṃ: Ill-Considered Action / Rash deeds. The Monkey & The Wedge is the second of the stories contained within “Mitra-Bhed”.

The Monkey & The Wedge

So Dama-nak-a heard from Kara-tak

The story of the monkey and the wedge

How a merchant once began to build up

A temple of wood at his garden’s edge

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Panchatantra in verse

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As Wikipedia will inform you The Panchatantra (Five Principles’) is an ancient Indian inter-related collection of animal fables in verse and prose, in a frame story format. What I am attempting to do is to treat these in a modern verse format while, hopefully, retaining the original spirit of the stories. I realise this is a daunting exercise, but it is an interesting challenge for me!

The Prologue

Once upon a time, a long time ago

There was a kingdom in south Indi-a

King Amar-a-sakti ruled it, you know

Mahi-la-ro-pyam of South Indi-a.

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The Pen & The Sword

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A conceit 

In an electronic world is one permitted to muse upon the future of expressions such as ‘the pen is mightier than the sword’? Today, can we say, ‘the (computer) key is mightier than the sword? Or, more appropriately, the ‘chip is mightier than the missile’? Then too, with the integration of computers/electronics and warheads/missiles does a comparison exist? After all neither one can be mightier than the other when they are, in fact, the same. Or, should we, in musing, revert to what the expression originally meant, ‘that an idea expressed in words can effect more change faster and sooner and with further reaching implications than a single, short, swift death’?

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I’m an Owl not a Lark!

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I had a fractured sleep last night

No splints or plasters

Could knit it together

Thereafter the pain of it

Has left me yawning … all morning

I’m an owl not a lark

As the day proceeds

I can feel my body’s rhythms

As they pick up speed

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